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5 I, a Man

I, a Man

Morrissey and Warhol's commercial take on the Swedish film I, A Woman. Somebody suggested to Warhol that they wanted a sexploitation film in the vein of I, A Woman, and so he and Morrissey concocted I, A Man. They created the story of this male hustler who talks with and sleeps with a series of women over the course of the film. The women are: a young woman who worries about parental acceptance of her sexuality, a woman who is on a couch, a woman with whom he does a seance, a woman who ...

NR
5
1967 Drama 95 min Play
5 Outer and Inner Space

Outer and Inner Space

A 16mm Warhol film of Edie Sedgwick sitting in front of a television monitor on which is playing a prerecorded videotape of herself. On the videotape, Edie is positioned on the left side of the frame, facing right; she is talking to an unseen person off-screen to our right. In the film, the “real” or “live” Edie Sedgwick is seated on the right side of the film frame, with her video image behind her, and she is talking to an unseen person off-screen to our left. The effect of this setup is ...

NR
5
1966 33 min Play
5.8 Chelsea Girls

Chelsea Girls

Lacking a formal narrative, Warhol's mammoth film follows various residents of the Chelsea Hotel in 1966 New York City. The film was intended to be screened via dual projector set-up.

NR
5.8
1966 Drama 210 min Play
4.1 Empire

Empire

A single shot of the Empire State Building from early evening until nearly 3 am the next day.

NR
4.1
1965 Documentary 485 min Play
4.8 Vinyl

Vinyl

Andy Warhol’s screen adaptation of Burgess's "A Clockwork Orange”.

NR
4.8
1965 Comedy 70 min Play
4 Blow Job

Blow Job

Andy Warhol directs a single 35-minute shot of a man's face to capture his facial expressions as he receives the sexual act depicted in the title.

NR
4
1964 Documentary 35 min Play
4.9 Kiss

Kiss

An hour-long paean to the art of the kiss featuring fourteen couples, from passionate participants to lethargic lovers, engaging in the intimate act.

NR
4.9
1963 Documentary 58 min Play