The Sea Beyond

La bambina che non voleva cantare

Film inspired by the career of the Italian singer Nada.

Non ho niente da perdere

Sconnessi

There Is No Place Like Home

A big family that like any other one includes relatives that see each other often and others that rarely meet, reunite to celebrate the 50th wedding anniversary of grandma Alba and grandpa Pietro in a big Villa, on the island they moved to. Because of weather conditions they all remain stranded on the island and the idyll between them seems to be over.

The Truth About Love Is…

Dora, raises her two children with the help of her eccentric family, free-spirited best friend, and a charming poet-turned- nanny.

Unique Brothers

A funny story about two brothers, Pietro and Francesco, and what happens with them and their families after Petro loses his memory.

The Entrepreneur

20 Cigarettes

Based on director Aureliano Amadei's 2003 experiences in Iraq, 20 Cigarettes is the gripping story of a twenty-eight year old anarchist and anti-war activist who receives an offer to fly to Iraq as assistant director on a film about the Italian military peace mission.

Generation 1000 Euros

In Milan, Matteo is an underemployed physicist, giving the occasional lecture at a university while working at a PR firm where he knows he'll be fired. Without his really trying, two women are attracted to him, a blond and a brunette. The blond is Angelica; they meet smoking on the office rooftop. To his surprise, she has clout in the company and soon has him flying off (with her) to make presentations. The brunette is Beatrice, a new flatmate, hoping for a teaching job in the national ...

Tell Me About Love

Sasha is a boy in his twenties, deeply loving the beautiful Benedetta, who doesn't seem to recognize his existence. Nicole is a French woman in her forties, living in Rome with her husband. They casually meet and start a friendship which becomes a sentimental education foe the boy.

Concrete Romance

The Night Before the Exams Today

Reunites the same cast, reprising their characters from the 2006 original film, but transplants them from the 1980s to the Italy of 2006. This leap allows the filmmaker to compare and contrast youth culture across generations, from the era of the call box to the era of cell phones, text messages and onli